04 May 2016

Horses in Fog

In my dream, many white princes surrounded me with light.
Horses in Fog
Two White Horses

Horses in Fog
Two white horses nose to nose

Horses in Fog
Process 1 : Photoshop and Nik Effects




Horses in Fog
Process 2 : Nik Analog Effects

Horses in Fog
Process 3 : Nik Silver Effects

Horses in Fog
Process 1 : Nik Effects

Horses in Fog
White horse in prairie pasture
Horses in Fog
Process 2 : Nik Silver Effects

14 February 2016

Silver Forks Lined in a Row

A few weeks ago, I purchased a second-hand Rokinon 14mm F2.8 lens. It is a beautiful lens with clear, sharp images. 
Today, I decided to try it out on a project that I'm working on for Don Giannatti's Project P52. Each week, Don gives us an assignment to shoot. This week, the assignment was "forks" and "change."

I found several sets of vintage silver forks in the cellar a few months ago. My mother had bought a big box of silver flatware at an auction sale years ago. 
With props in hand, I started to sketch out ideas for "change." In the middle of ideas popping and sketching, I decided an interesting "change" would be a switch from my go-to Tokina 100mm lens to the Roninon 14mm lens. 
I think it made for some interesting shots.


SPOTLIGHT VERSION 1
All the forks are lined up on a black-top table. I experimented with small and large aperture settings. I liked the f18 setting and manually blurred the foreground with lens blur in Photoshop. With a few more enhancements in Photoshop, I added a layer of NikEffects bleach
SPOTLIGHT VERSION 2
Same process but opened a larger spot light over the focal point.

SPOTLIGHT VERSION 3
All the photographs were with natural light and long exposures.
Photoshop enhancement, NikEffects film effect and finally, layering a spot of light over the fork.
LINEUP ROW 1
My first test shots. I laid out the forks, but didn't polish or fix them. As much as I like the rustic and worn look of the forks, I eventually polished them and fixed the tines.
Photoshop darkening the edges and contrast adjustment, then NikEffects vintage filter.

LINEUP ROW FLIPPED
Flip the image in Photoshop, then added NikEffects Analog vintage camera

LINEUP ROW 2
Photoshop enhancement in contrast, then added NikEffect Supercross pop.
BTS: The foreground fork was centimeters away from the lens.

13 February 2016

DSU Comm-University Photography Class CANCELLED tonight

Comm-University Photography Class 

CANCELLED tonight

I was able to reach almost all students...wanted to make sure everyone knows that I've cancelled tonight's class. 
It's been raining here for almost an hour. Roads are icing up.
I'm usually not a wimp when it comes to driving winter roads...but I am not very good at night-time driving on ice.
Thank you all for understanding. See you next week!

30 January 2016

Following the Winter Tracks, Motivation to Train in the Winter

Overall, we've had a very mild winter here in western North Dakota. But, there have been a few days when the temperatures have dipped below zero. Getting outside to take a daily walk can be challenging some days, but I have found a few things to look forward to on my walks through the pastures, like finding animal tracks.
I love seeing all the footprints after a fresh snow. We had a few inches of snow and then the temperatures warmed up. All the animals seemed to make their journeys out of their dens to find food.
How many tracks can you identify?



Winter, snow, and cold should not get in the way of your fitness routine. Just be smart
about dressing properly and taking care during sub-zero temperatures.


13 January 2016

Creativity, Commitment, and Crap: Distracting your Muse from Perfection

What do you do when your muse dumps you? 

Last month, I fell into the creative black hole. I think we've all experienced that void space: Overworked. Overloaded. Overused. I was over the precipice of a foul funk hole. But, I still had three weeks to the end of the semester. It took my every effort eek out any creative functions to deliver final lessons, exams, student project critiques, and lastly personal projects.
Something had to give. With no energy to muster ideas...creative or cliché...I gave up on my personal projects.
After the semester finished, my energy was spent. But, over this last year, I've trained myself to refuse dwelling in foul funk holes. It gets me nowhere except on the spiral down to deeper self loathing. 
I've learned to cultivate my inner determination...whether it's my daily exercise or my daily creative spark. It was time to nurture my tired muse. But how? 
Enter a long-time quiet on the perfection front. 
For the first few days of holiday break, I paused and asked for different, experimental ways to allow myself to decompress and enjoy.

Time for Something Different

I decided to start going through my storage boxes. I reminisced through boxes of journals, slides, travel notes and photos. It was in one of the boxes where I discovered a La Sardina Virginia is for Lovers lomography camera that I bought last year. I never took it out of the box. I never used it. I bought it on a wim and so didn't really care to find the time to use it.
La Sardina toy camera Virginia is for Lovers
La Sardina Virginia is For Lovers. Lomography Toy Camera.

Film Roll Number One: Undaunted Action

I decided it was time to break free with this little toy camera. I loaded a roll of film. I was set. 
Over the first few days of holiday, I constructed "Lomo-worthy" scenes to photograph. I took my time. When I finished the 24-exposures, I was excited to get it processed. Luckily, we have a lab in North Dakota that still processes film, in-house. 1-hour film processing!! Hurray. Bob's Photo in Bismarck. 
It's a 90-miles, (one way), for me to drive to Bismarck. But, it is one of my favorite cities, so I visit there a couple times a month to shop and enjoy. Groceries, petrol, everything is cheaper in Bismarck, away from Bakken boom gouging territory.
I dropped off the film at Bob's and then went shopping. When I returned, they handed me the envelop and said there were no images to print. Being awesome service people, they offered to look at my camera and repair it, if it needed. No need. Toy camera.

Negatives were clear. Creative victory defeated.

I went home and reviewed the manual. What did I do wrong? Load film. Pull out lens. Twist. Turn. Shoot. I decided to try again and loaded film number two.
This time, I was less constructive with my image set up. Nonetheless, I took time taking pictures. Outdoors, I captured the beautiful snow frosted trees. Indoors, I captured pretty Christmas decorations. Each shot I imagined would look awesome with the Lomo effect. A few days later, I had to drive to Bismarck to stock up for Christmas dinner. Bob's Photo was my first stop. Shopping and a few hours later, I returned. Once again, they handed me the envelope, no images. Maybe you need to throw away the toy camera.

Film Roll Number Two: Negatives Clear. Blank. Nada. Nothing.

I was pissed. Even though I got the camera on a discount, I still paid $50 for the thing. I was determined to get this cheap little sardine box to pony up some images. Screw the creative process.
Lomography La Sardina toy camera clear negatives
Why are my negatives clear? Lomography La Sardina Camera

I started search strings: "why are my lomography camera images blank" "negatives clear lomography camera" ...etc.etc.etc.
The official Lomography site offers little insight into such questions, no matter how I formulated the infinite ways. 
I knew it wasn't because I was overexposing or underexposing.
I found this link:
La Sardina for Starters: Remember the Twist and Pull.
So, I decided to trigger the shutter mechanism with a small eyeglass screwdriver. I did the "twist and pull" lens, then triggered the shutter. It wasn't working. I could see that the lens wasn't completely cocked into place.
inside the La Sardina toy camera
Inside the La Sardina camera. The lens is pulled and twisted, but not engaging the shutter.

Looking on the lens of the La Sardina camera. The lens is pulled and twisted, but not engaging the shutter.
I gave the lens a strong sturdy twist...there it was: the lens snapped into place. The shutter triggered.
aaahhhhh....
inside the La Sardina toy camera shutter in proper position
Inside the La Sardina camera. The lens is pulled and twisted. The shutter is engaged.

Looking on the lens of the La Sardina camera. The lens is pulled and twisted. Notice where the silver button aligns with the word "You." The shutter is engaged.

Film Roll Three: Third Time is a Charm

I loaded my third roll of film. "Twist, pull, and firm click into place"
This time, I shot like a three-year-old with her first camera. I shot anything that fancied me. I finished the roll of film in about 15 minutes. I was on my way to Bismarck that day. My first stop was Bob's Photo. This time, I returned to the store in an hour with more determination and anticipation. And, I wasn't disappointed. Success. Crappy images, but I have images!
lomo images suffocation warning
A stack of images from my third attempt with the La Sardina camera.
Now...on to creativity. Evoke the Muse.

Crappy images, but hey...no clear negatives.

To be continued...

I'm taking more time with my fourth roll of Lomography film. I can't believe how an unexpected photography challenge turned into a liberating process. I completely unhooked from perfection and worrying about "making" an image. I wanted to "see" an image...literally!  A toy camera and technical conundrum gave me the "different" way to connect to the creative process.

Commitment + Determination = Creativity 

All this from a flippin' sardine can camera!

How do you awaken your hibernating muse?